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              <text>&lt;a href="http://www.aachs.org/"&gt;Kuethe Library: Historical &amp;amp; Genealogical Center, Ann Arundell County Historical Society&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/1181/#geolocation"&gt;5 Crain Highway, SE, Glen Burnie, MD 21061&lt;/a&gt;&lt;br /&gt;&lt;a&gt;+1 (410) 760-9679&lt;/a&gt;&lt;br /&gt;&lt;a href="mailto:info@aachs.org"&gt;info@aachs.org&lt;/a&gt;</text>
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              <text>The Kuethe Library holds the Ann Arrundell County Historical Society's and the Anne Arundel Genealogical Society's collections.</text>
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              <text>An extensive collection of books on Ann Arundel County history, including volumes on local towns and communities, Ann Arundel County telephone directories, county census records, vertical files containing newspaper clippings and memorabilia of local events and activities, businesses, schools, churches, thousands of photographs of local Ann Arundel County history.</text>
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              <text>&lt;a href="http://www.aachs.org/genealogical.php"&gt;Maps:&lt;/a&gt; Map collection includes: - Original copies of the Hopkins Atlas of Anne Arundel County (1878): Also available for sale in hard- or soft-back versions</text>
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              <text>- The Martinet map of the 19th century</text>
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              <text>- Development plat maps of local communities</text>
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              <text>- Files on Aviation History including the history of BWI Thurgood Marshall Airport.</text>
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              <text>- A complete set of the Official Records of the War of the Rebellion (ORs) for both the Army and Navy</text>
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              <text>- Biographical files</text>
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              <text>&lt;a href="http://www.aachs.org/genealogical.php"&gt;Special Collections:&lt;/a&gt; - Kelbaugh Collection: Over 800 files of documents from the collection of noted local historian Jack Kelbaugh. It includes his extensive research into Anne Arundel County history during the Civil War, his study of interments at the Annapolis National Cemetery and etc.</text>
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              <text>- Mellin Collection: The research papers of local journalist John Mellin including a complete set of his columns for the Glen Burnie Gazette and Annapolis Capital.</text>
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              <text>- Nelker Collection: The files of Gladys Nelker who, during her career as a realtor, amassed a large collection of information on Anne Arundel County towns and communities.</text>
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              <text>Genealogical Society's Collection: This collection includes maps of Maryland and Ann Arundel County and photographs.</text>
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              <text>The collection is searchable through the Anne Arundel County Public Library catalog. To find them, check out the AACPL Kuethe Library page.</text>
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              <text>He was a wealthy businessman. As a diplomat he briefly served as U.S. Ambassador to Japan (1912–1913). He was the great grandson of Lieutenant Richard Clough Anderson who served in the American Revolution, and also the grandnephew of Brigadier General Robert Anderson who defended Fort Sumter at the beginning of the American Civil War.</text>
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              <text>Wife of Charles Watson. After her husband died in 1874, Laura Watson and her sons developed the Sunnyside neighborhood near what is now West Glebe Road and Mount Vernon Avenue. Many small black neighborhoods were formed in Alexandria after the Civil War, possibly encouraged by the new legal protections offered during Reconstruction. After the end of Reconstruction in Virginia in 1870, Sunnyside would have provided an opportunity for home ownership to African Americans rebuffed by banks and shut out of white residential areas by Jim Crow laws. In 1992, Sunnyside residents decided to use funds from a terminated home ownership assistance program to build the Watson Reading Room. The site selected for the reading room, next to what is now the Alexandria Black History Museum, was rich in African-American history as well. </text>
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              <text>&lt;a href="http://www.laurelhistoricalsociety.org/"&gt;Laurel Historical Society Museum &amp;amp; John Calder Brennan Library&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/1119/#geolocation"&gt;817 Main Street. Laurel, MD 20707&lt;/a&gt;&lt;br /&gt;&lt;a&gt;+1 (301) 725-7975&lt;/a&gt;&lt;br /&gt;&lt;a href="mailto:research@laurelhistoricalsociety.org"&gt;research@laurelhistoricalsociety.org&lt;/a&gt;</text>
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              <text>The Laurel Historical Society works to preserve the cultural and historical heritage of greater Laurel. Early projects included renovating and landscaping the B&amp;amp;O railroad station, placing the Avondale Mill, and the old Laurel High School (now the Edward Phelps Community Center) on the National Register of Historic Places, and developing the first walking tour of Old Town Laurel. Preservation efforts have continued to the present. The Society was instrumental in preserving the Fairall Foundry on First Street. The Society continues its efforts with oral histories, and preservation projects.</text>
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              <text>Recent Society highlights include development of an extensive new Walking Tour of Laurel, which complements a new marker program implemented by the City. Approximately 1,800 items that reflect the early history of Laurel, Maryland as an industrial mill town, and its various stages of development as it grew into a commuter hub for DC and Baltimore.</text>
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              <text>&lt;a href="http://www.laurelhistoricalsociety.org/pages/about_bkgd.html"&gt;Museum:&lt;/a&gt; The City of Laurel began exterior restoration of a mill workers’ house it owned just east of the former site of the Laurel Cotton Mill and adjacent to Riverfront Park. In 1991, the city authorized the Laurel Historical Society to use the mill workers' house as the Laurel Museum. The Laurel Museum opened its doors to the public in May 1996. Its first exhibit, from Mill House to Museum documented the history of the house and its renovation. Since then The Laurel Museum has mounted fifteen major exhibitions, including its most recent: Stationed in Laurel: Our Civil War Story. Throughout its history the Society has worked to ensure that the Laurel Museum and the Society’s collection are maintained to the highest professional standards. An interpretive plan and collections policies and procedures ensure that the artifacts entrusted to our care are preserved, recorded and remain accessible through exhibits and to researchers.</text>
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              <text>&lt;a href="http://www.laurelhistoricalsociety.org/pages/brennanLibrary.html"&gt;John Calder Brennan Library:&lt;/a&gt; The Society has an extensive collection of records, photographs, books, files and items related to Laurel history. These are catalogued and available to researchers. The library is named after John Calder Brennan (1908-1996), a Laurel resident for 50+ years who researched and published information on the history of Laurel. His extensive collection of Laurel-related materials was donated to the LHS at his death.</text>
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              <text>&lt;span&gt;&lt;a title="http://www.getty.edu/vow/ULANFullDisplay?find=Fowler%2C+Laurence+Hall&amp;amp;role=&amp;amp;nation=&amp;amp;prev_page=1&amp;amp;subjectid=500100093" href="http://www.getty.edu/vow/ULANFullDisplay?find=Fowler%2C+Laurence+Hall&amp;amp;role=&amp;amp;nation=&amp;amp;prev_page=1&amp;amp;subjectid=500100093"&gt;http://www.getty.edu/vow/ULANFullDisplay?find=Fowler%2C+Laurence+Hall&amp;amp;role=&amp;amp;nation=&amp;amp;prev_page=1&amp;amp;subjectid=500100093&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a title="http://id.loc.gov/authorities/names/n83127872.html" href="http://id.loc.gov/authorities/names/n83127872.html"&gt;http://id.loc.gov/authorities/names/n83127872.html&lt;/a&gt;&lt;/span&gt;</text>
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              <text>Baltimore architect Laurence Hall Fowler made his name designing houses for well-heeled clients in Homeland, Guilford, Blythewood, Gibson's Island and the Greenspring Valley. He was born in 1876 in Catonsville, Maryland, and attended the Johns Hopkins University. After graduation, he studied architectural history and drafting at Columbia. After a brief apprenticeship in two New York architectural firms, he left for Paris in spring 1904 for further studies at the École des Beaux-Arts and in the atelier of Godefroy and Freynet. He remained abroad for less than a year, returning to Baltimore in the fall.&#13;
&#13;
Fowler's non-residential commissions include the War Memorial and the Calvert School in Baltimore, the Hall of Records in Annapolis, and additions to St. Timothy's School and the Greenwood School. He also advised on civic architectural matters through his appointments to the Municipal Art Commission, the Committee on Buildings and Grounds of the Baltimore Museum of Art, and various committees at Hopkins.&#13;
&#13;
Upon his retirement, Fowler left to the Johns Hopkins University his library of over 450 architectural treatises dating before 1801, as well as a reference library of 300 titles published within his lifetime.  From Alberti, Vitruvius and Palladio to Pugin, Hamlin, and periodicals such as Pencil Points and Brickbuilder, these publications served as Fowler’s source material.</text>
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              <text>&lt;span&gt;&lt;a title="http://old.library.jhu.edu/collections/specialcollections/fowler/architect.html" href="http://old.library.jhu.edu/collections/specialcollections/fowler/architect.html"&gt;http://old.library.jhu.edu/collections/specialcollections/fowler/architect.html&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;a title="http://baltimorearchitecture.org/biographies/laurence-hall-fowler/" href="http://baltimorearchitecture.org/biographies/laurence-hall-fowler/"&gt;http://baltimorearchitecture.org/biographies/laurence-hall-fowler/&lt;/a&gt;&lt;/span&gt;</text>
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              <text>Léon Samoilovitch Bakst was a Russian painter and scene and costume designer. He was a member of the Sergei Diaghilev circle and the Ballets Russes, for which he designed exotic, richly coloured sets and costumes, and huge pageant spectaculars for dancer and patron, Ida Rubinstein.  Bakst came into the theatre on the wave of choreographer Michel Fokine’s revolution in Russian ballet.  In Fokine’s ballets, the theme dictated the style of the choreography, music and design; the steps were imbued with meaning and emotion. As part of the creative team, Bakst produced designs suited to each particular ballet - Orientalism in Scheherazade and Cleopatra, Ancient Greece in Daphnis and Chloë and Narcisse, Biedermeier in Carnaval and Spectre de la Rose, and 18th century style in The Good-Humoured Ladies and The Sleeping Princess.</text>
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              <text>&lt;span&gt;&lt;a class="in-cell-link" href="http://www.getty.edu/vow/ULANFullDisplay?find=Dessez%2C+Leon&amp;amp;role=&amp;amp;nation=&amp;amp;prev_page=1&amp;amp;subjectid=500081844" target="_blank"&gt;http://www.getty.edu/vow/ULANFullDisplay?find=Dessez%2C+Leon&amp;amp;role=&amp;amp;nation=&amp;amp;prev_page=1&amp;amp;subjectid=500081844&lt;/a&gt;&lt;/span&gt;</text>
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              <text>Dessez designed public buildings in Washington D.C. and residences in Washington D.C., Maryland, and Virginia, including some of the first in Chevy Chase, Maryland, where he was the community's first resident. His work includes the 1893 the conversion of 1111 Pennsylvania Avenue, The Shepherd Centennial Building, into the Raleigh Hotel (razed in 1911) and the Normal School for Colored Girls (1913) designed with Snowden Ashford. Dessez was elected to the American Institute of Architects as fellow 1896. He was one of the Washington D.C. AIA chapter's charter members in 1887 and he served on a committee for the restoration of the Octagon House, now the AIA headquarters. He also worked pro bono to develop Washington D.C.'s building codes and investigated school building construction and design. Properties he is credited with designing listed on the National Register of Historic Places include Lucinda Cady House, 7064 Eastern Ave., NW. Washington, DC; Engine House No. 10, 1341 Maryland Ave., NE. Washington, DC; Miner Normal School, 2565 Georgia Ave., NW. Washington, DC; and Truck Company F, 1336-1338 Park Rd. NW Washington, DC.</text>
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              <text>&lt;a href="http://www.phillipscollection.org/learn/library-and-archives"&gt;Library &amp;amp; Archive, Phillips Collection&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/11129/#geolocation"&gt;1600 21st St, NW, Washington, DC 20009&lt;/a&gt;&lt;br /&gt;&lt;a&gt;+1 (202) 387-2151 (x212)&lt;br /&gt;&lt;/a&gt;&lt;a href="mailto:communications@phillipscollection.org"&gt;communications@phillipscollection.org&lt;/a&gt;</text>
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              <text>The Phillips Collection library supports research on works of art in the museum's permanent collection, special exhibitions, and the history of the museum.</text>
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              <text>The Phillips Collection archives contain materials created by the museum's founding director Duncan Phillips, by his wife, Marjorie Phillips, who worked with him and succeeded him as director after his death in 1966, and by the museum's departments.</text>
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              <text>The library collection includes about 9,500 books, which focus on 19th- and 20th-century European and American art. Among the books are monographs on artists whose works are in the collection, exhibition catalogues, museum permanent collection catalogues, and books on photography, as well as Phillips Collection publications from the 1920s to the present. Vertical files provide information on individual artists, art subjects, and art institutions in the form of small exhibition catalogues, articles, and reviews. The library also subscribes to several online electronic resources.</text>
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              <text>The archives include Duncan and Marjorie Phillips's correspondence with artists whose works are represented in the collection, and with dealers, critics, and others. They contain a wealth of written material by Duncan Phillips, including 30 journals (primarily from his years at Yale and his early travels), about 200 published articles and 200 unpublished articles, seven books, and multiple drafts of many of his writings. Records related to the museum's departments include information associated with public events and programs as well as exhibition research.</text>
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              <text>&lt;a href="http://www.phillipscollection.org/learn/library-and-archives/archives"&gt;Oral Histories:&lt;/a&gt; The Phillips Collection began its oral history program in 2004. Interviews are being conducted with former directors of The Phillips Collection, Phillips family members, current and former staff members, trustees, artists, and others who have first-hand knowledge of the museum's history. The interviews are conducted by Donita M. Moorhus, an oral historian. Researchers may consult oral history transcripts in the library.</text>
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              <text>&lt;a href="%E2%80%9Chttp%3A//www.phillipscollection.org/learn/library-and-archives/archives%E2%80%9D"&gt;Curatorial Exhibition Records:&lt;/a&gt; Finding aids, or research guides, exist for a portion of the museum's archives. More will be added as archival collections are processed. Records are included in the online library catalog.</text>
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              <text>&lt;a href="http://mht.maryland.gov/"&gt;Library &amp;amp; Archives, Maryland Historical Trust&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/1156/#geolocation"&gt;100 Community Place, Crownsville, MD 21032-2023&lt;/a&gt;&lt;br /&gt;&lt;a&gt;+1 (410) 514-7655&lt;/a&gt;&lt;br /&gt;&lt;a href="mailto:marylouise.desarran@maryland.gov"&gt;marylouise.desarran@maryland.gov&lt;/a&gt;</text>
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              <text>The Archives and Library of the Maryland Historical Trust is the state’s principal repository for information about Maryland’s architectural, archeological, and cultural resources.</text>
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              <text>In addition to the Maryland Inventory of Historic Properties and the GIS data, the library has the following collections:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;the documentation for the Trust’s oral history collection&lt;/li&gt;
&lt;li&gt;approximately 3,500 books dealing primarily with archeology (terrestrial and maritime), Native Americans, architecture, history, historic preservation, decorative arts, building conservation and technology, and bibliography as they relate to Maryland and surrounding regions an extensive journal collection&lt;/li&gt;
&lt;li&gt;Maps of historic and archeology resources, using 7.5’ USGS topographic quads&lt;/li&gt;
&lt;li&gt;Copies of historic maps from throughout Maryland&lt;/li&gt;
&lt;li&gt;Black-and-white photographs, negatives, and color slides of individual sites and districts&lt;/li&gt;
&lt;li&gt;Architectural drawings&lt;/li&gt;
&lt;li&gt;Architectural and archeological research reports for sites in Maryland and neighboring states&lt;/li&gt;
&lt;li&gt;Historic structure reports&lt;/li&gt;
&lt;li&gt;Audio and video cassettes and DVDs&lt;/li&gt;
&lt;li&gt;Plans (development plans, town plans, etc.)&lt;/li&gt;
&lt;li&gt;Vertical files&lt;/li&gt;
&lt;/ul&gt;</text>
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              <text>&lt;a href="http://mht.maryland.gov/nr/index.html"&gt;List of Maryland's National Register Properties:&lt;/a&gt; The National Register currently comprises over 1300 listings in Maryland, including some 200 historic districts. Listed properties span a wide variety of types and periods, ranging from prehistoric archeological sites to buildings of the recent past, and include rural landscapes, urban and suburban neighborhoods, bridges, sailing vessels, and more.</text>
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              <text>&lt;a href="http://mht.maryland.gov/research_mihp.shtml"&gt;Maryland Inventory of Historic Properties:&lt;/a&gt; This is a broad-based catalog of information on districts, sites, buildings, structures, and objects of known or potential value to the prehistory, history, upland and underwater archeology, architecture, engineering, and culture of the State of Maryland. The Inventory consists of two parts: standing structures/non-archeological sites and archeological sites.</text>
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              <text>Documentation for the sites is maintained for approximately 40,000 architectural resources (individual sites and historic districts), more than 12,600 archeological sites (prehistoric and historic), and 26 oral history projects.</text>
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              <text>For example, architectural survey files typically include summary descriptions of the resource and a statement of significance, maps, photographs, negatives, and sometimes drawings. Survey files can include documentation about structures as varied as “houses” of all sizes and types (big houses, little houses, brick houses, frame houses, lighthouses, school houses, smoke houses, slave houses), towers (water towers, fire towers, bell towers), privies, barns, corn cribs, churches, and a B-29 bomber.</text>
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              <text>&lt;a href="http://mht.maryland.gov/research_MHTlibrary.shtml"&gt;Oral History Collections:&lt;/a&gt; The oral history collection includes transcripts and audio and/or video cassettes of interviews as well as photographs of interviewees. A sampling of oral history projects includes Baltimore County Historic African American Communities, Berkley Crossroads, Calvert County Tobacco Culture, Lexington Manor aka “Flat Tops,” Maryland’s Centennial of Flight Celebration, Middle River, and Smith Island.</text>
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              <text>&lt;a href="http://mht.maryland.gov/research_gis.shtml"&gt;Geographic Information System (GIS) Data:&lt;/a&gt; The Maryland Historical Trust maintains a geographic information system (GIS) and related database on Maryland’s architectural, archeological, and cultural resources.</text>
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