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              <text>&lt;a href="http://www.alexandriava.gov/historic/fortward/default.aspx"&gt;Fort Ward Museum &amp;amp; Historic Site&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/1081/#geolocation"&gt;4301 West Braddock Road, Alexandria, VA 22304&lt;/a&gt;&lt;br /&gt;&lt;a&gt;+1 (703)746-4848&lt;/a&gt;</text>
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              <text>Fort Ward Museum interprets the site's history and offers exhibits on Civil War topics, education and interpretive programs, tours, lecture and video series, bus tours, and living history activities throughout the year. The Museum and Historic Site also interpret Alexandria, Virginia as an occupied city, the city's role as a vital Union Army crossroads, life within the Defenses of Washington, and the everyday life of Civil War soldiers and civilians.</text>
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              <text>Photographs by &lt;a href="http://www.matailongdu.com/"&gt;Matailong Du&lt;/a&gt;.</text>
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              <text>Museum Collections: The permanent collection is diverse, with holdings that include: military equipment related to the infantry, artillery, cavalry and navy; edged and shoulder weapons; flags; musical instruments; medical equipment; uniforms and clothing accessories; cooking and mess equipment; artwork, primarily period prints of both Union and Confederate significance; documents; photographs; and artifacts excavated at Fort Ward.</text>
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              <text>Union Occupation of Alexandria: Objects related to the Union occupation of Alexandria. These include a rare proclamation, dated May 26, 1861, declaring martial law in the city, and a number of items pertaining to the death of Union hero Col. Elmer Ellsworth at the Marshall House Hotel during the Federal occupation of Alexandria. Of special interest is a section of the Confederate flag that Ellsworth removed from the roof of the Marshall House prior to being killed by innkeeper James Jackson, a secessionist resident of Alexandria.</text>
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              <text>Defenses of Washington: Objects include a 1862 topographical map of the defense system by the engineer E. G. Arnold, and a large wartime pencil drawing of Fort Albany, located in nearby Arlington, Virginia, by the soldier-artist William Lydston. This panoramic scene features landmarks in the surrounding Virginia and D.C. area that were labeled by the artist.</text>
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              <text>Dorothy C.S. Starr Research Library: Over 2,000 books, periodicals and archival materials on general Civil War history and the Defenses of Washington. The library contains the complete reference series, The Official Records of the Union and Confederate Armies. Other important resources include photographs, largely from the Library of Congress and the National Archives, of general war subjects and scenes from the Defenses of Washington. Of special note is a collection of research material which was donated by the authors of several books on the historic defense system. The library has few regimental histories and does not contain military service records.</text>
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              <text>Key was a lawyer, author, and amateur poet from Georgetown who wrote the lyrics to the United States' national anthem, "The Star-Spangled Banner".</text>
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              <text>Wright was an American architect, interior designer, writer, and educator, who designed more than 1,000 structures, 532 of which were completed. Wright believed in designing structures that were in harmony with humanity and its environment, a philosophy he called organic architecture. This philosophy was best exemplified by Fallingwater (1935), which has been called "the best all-time work of American architecture". Wright was a leader of the Prairie School movement of architecture and developed the concept of the Usonian home, his unique vision for urban planning in the United States. His creative period spanned more than 70 years.</text>
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              <text>Franklin Delano Roosevelt, commonly known as FDR, was an American statesman and political leader who served as the 32nd President of the United States, from 1933 to 1945.</text>
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              <text>&lt;a href="http://www.mountvernon.org/library/"&gt;Fred W. Smith National Library for the Study of George Washington, Mount Vernon&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/1125/#geolocation"&gt;3600 Mount Vernon Memorial Highway, Mount Vernon, VA 22121&lt;/a&gt;&lt;br /&gt;&lt;a&gt;+1 (703) 780-3600&lt;/a&gt;&lt;br /&gt;&lt;a href="mailto:FWSlibrary@mountvernon.org"&gt;FWSlibrary@mountvernon.org&lt;/a&gt;</text>
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              <text>The Library’s collection contains a wide and rich array of resources covering George Washington, Martha Washington, Mount Vernon, colonial America, the American Revolution, the confederation years, slavery, domestic economies, the early republic, life in the eighteenth century, decorative arts, and historic preservation. The materials include books, periodicals, newspapers, pamphlets, databases, microfilm, information files, electronic resources, audio-visual materials, maps, and photographs. Materials are for use only in the Library and are not available to be checked out.</text>
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              <text>&lt;a href="http://www.mountvernon.org/library/catalog-library-holdings/special-collections/%E2%80%9C"&gt;Special Collection:&lt;/a&gt; The highlights include:&lt;br /&gt;&lt;ul&gt;&lt;li&gt;George Washington, including approximately 500 letters, ledgers, farm books, and account books&lt;/li&gt;
&lt;li&gt;Family collections, including Martha Washington Papers, the Peter Family Archives, Bushrod Washington Family Papers, Eleanor Parke Custis Papers, and Lawrence Lewis Papers&lt;/li&gt;
&lt;li&gt;6,000 historical manuscripts, documents, and maps related Washington family, friends and the larger historical context of the time period&lt;/li&gt;
&lt;li&gt;103 volumes (62 titles) previously from George Washington’s library&lt;/li&gt;
&lt;li&gt;2,500 rare books and limited or scarce publications, including books belonging to other family members&lt;/li&gt;
&lt;li&gt;7,500 early records of the Mount Vernon Ladies’ Association&lt;/li&gt;
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              <text>&lt;a href="http://www.pghistory.org/library.php?st=Library"&gt;Frederick S. DeMarr Library of County History, Prince George's County Historical Society&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/1132/#geolocation"&gt;Mount Calvert Headquarters 16801 Mount Calvert Road, Upper Marlboro, MD 20772&lt;/a&gt;&lt;br /&gt;The Frederick S. DeMarr Library Greenbelt Branch Library 11 Crescent Road, Lower Level, Greenbelt, MD 20770&lt;br /&gt;&lt;a&gt;+1 (301) 220-0330&lt;/a&gt;&lt;br /&gt;&lt;a href="mailto:info@pghistory.org"&gt;info@pghistory.org&lt;/a&gt;</text>
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              <text>The Frederick S. DeMarr Library of County History specializes in many different types of materials relating to Maryland, with particular emphasis on Prince George's County. It began as the private collection of Frederick S. DeMarr, and was legally conveyed to the Historical Society after Mr. DeMarr's death in 1997.</text>
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              <text>&lt;a href="http://www.asia.si.edu/collections/default.asp"&gt;Freer Gallery of Art &amp;amp; the Arthur M. Sackler Gallery, Smithsonian Institution&lt;/a&gt;&lt;br /&gt;&lt;a href="http://berd.artinterp.org/omeka/items/show/1213/#geolocation"&gt;1050 Independence Avenue, SW Washington, DC 20560&lt;/a&gt;&lt;br /&gt;Library: &lt;a&gt;+1 (202) 633-0477&lt;/a&gt;&lt;br /&gt;Archives: &lt;a&gt;+1 (202) 633-0533&lt;/a&gt;&lt;br /&gt;&lt;a href="%E2%80%9Cmailto%3Apublicaffairsasia@si.edu%E2%80%9D"&gt;publicaffairsasia@si.edu&lt;/a&gt;</text>
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              <text>The Freer Gallery of Art and the Arthur M. Sackler Gallery contain some of the most important holdings of Asian art in the world. In addition, the Freer Gallery boasts exemplary examples of late-nineteenth-century works of American landscape and portraiture by James McNeill Whistler and his contemporaries. The Sackler Gallery is host to contemporary art from Asia as well as international loan exhibitions. Together, both galleries form the national museums of Asian art at the Smithsonian Institution, and are dedicated to the acquisition, care, study, and exhibition of works in their collections. The Smithsonian Institution has two museums of Asian art: the Freer Gallery of Art, which opened to the public in 1923, and the Arthur M. Sackler Gallery, which welcomed its first visitors in 1987. Both are physically connected by an underground passageway and ideologically linked through the study, exhibition, and sheer love of Asian art. In addition, the Freer Gallery contains an important collection of nineteenth century American art punctuated by James McNeill Whistler's Peacock Room, perhaps one of the earliest (and certainly one of the most controversial) art installations on record. Each building has its own aesthetic. The Freer is designed in a classical style whose architectural nexus is a courtyard that used to house live peacocks in the museum's early days. It was Charles Lang Freer's goal to facilitate the appreciation of world cultures through art, a noble undertaking as important today as it was more than a century ago, when he first willed his artwork and archives to the nation. The Sackler takes you on an underground journey and is home to Dr. Arthur Sackler's incomparable collection of art, including some of the most important ancient Chinese jades and bronzes in the world. In addition, the Sackler Gallery contains works that have been acquired in the last twenty years and also features the Perspectives series of contemporary art that greets and often surprises visitors when they first enter the Gallery.</text>
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              <text>&lt;a href="http://www.asia.si.edu/research/library.asp"&gt;Library:&lt;/a&gt; The library's collection is especially strong in research materials on Japanese ceramics, painting, and woodblock prints. It also has an excellent collection of resources for the study of Chinese painting, calligraphy, ceramics, jade, Buddhist sculpture, and ancient bronzes. Its strengths in the area of ancient Near Eastern art are Sassanian metalwork, ceramics, and cylinder seals. The library also has an exceptional collection of material on Indian miniature painting and sculpture as well as on Islamic metalwork, ceramics, glass, and the arts of the book.&lt;br /&gt;&lt;a href="http://www.asia.si.edu/research/archives.asp"&gt;&lt;br /&gt;Archives:&lt;/a&gt; The Archives houses more than 140 collections—amounting to over one thousand linear feet of materials—dating from the early nineteenth century to the present. Rich and diverse materials include the personal and professional papers of preeminent art historians, archaeologists, artists, dealers, and collectors, plus major collections of nineteenth- and twentieth-century photography of Asia and the Middle East. The collections also include still and moving pictures, graphics, audio tapes, and other forms of documentation.</text>
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